![]() Children, drama, teen, comedy, allegory, female/male/blind/neutral casting This monologue comes from the full-length play, Movements of the Wind, in the section Sharing Soil. But when bully vegetables draw Carrot and Potato together, they must decide if their new friendship is worth risking their safety and rejection from their own garden cultures. In soil cultures, prejudices run deep for carrots and potatoes. Drama, children/tween, female/male/blind casting, 30-second monologue She offers the butterfly a safe home in her windowsill. Nicole relates to a butterfly with a torn wing, after a group of children mishandled it. Drama, children/tween, female/male/neutral/blind casting, 30-second monologue ![]() Lindsey gains strength as she confronts a bully who has taken a precious glass souvenir of hers. Drama, teen, male/female/inclusive casting This monologue comes from the dark comedy/thriller, Seventeen Stitches. His relief turns to bitterness, however, when his father does not punish the bully, but rather, lets him take Peter’s bike. From the play, The Moon River Raft.Īfter a bully attacks Peter in order to steal his bike, Peter is relieved when his father rescues him. But there’s a reason she couldn’t meet her sister earlier, and it has to do with some very mean rabbits. Rabbit Meredith defends herself at being blamed for abandoning her sister in a tree stump. Comedy, children, female/male/inclusive casting Enough is enough for this girl standing up to a bully! This child has literally been pushed into a mud puddle two times already. Dark Comedy, children, teen, young adult, female/male/neutral/blind casting This person has been bullied long enough and she is now making a point her community won’t forget. When we encounter difficult situations, we’re told crying can give us a good release. Drama, teen, young adult, adult, female (This powerful monologue makes reference to physical assault and drugs.) This monologue comes from the full-length dramatic play, For My Silent Sisters. Drama, children, teen, young adult, male/female/neutral/blind castingĪ girl has been held against her will and she copes the best way she can. A great sensory-based monologue as the character feels burning sand under his feet Drama, teen, any age, male/female/neutral/blind castingĪ child is bullied at an outing to the beach, but he knows how to call on his strength to endure. Despite how he has been treated, he does not want to betray his “friends" who have let him take the fall for the crime. And Chloe isn’t as innocent as she thought she was…Ī man with an intellectual disability speaks to a police officer about a robbery he was inadvertently part of. So why does Amanda still want to go to Taylor’s party?Ĭhloe’s Monologue from What Happened at the Mud Puddle :Ĭhloe finds out the reason why “mean girl” Taylor sabotaged her birthday party. Drama, teen, any age, female/male/neutral/blind castingĪmanda’s Monologue from, What Happened at the Mud Puddle :Īmanda is new to middle school and it doesn’t take long for mean-girl Taylor to humiliate her in front of the whole cafeteria. A great sensory-based monologue as the character feels water covering her face. Whatever pain you experience, there are times when you want to cover your ears, and go somewhere else. Drama, teen, young adult, male (or female) This monologue comes from the full-length dramatic play, For My Silent Sisters. Abhay is young, but he has pride, strength and loyalty, and stands up the way he knows how. ![]() This boy has lost his mother, his father, and now strange men are trying to take away his home. Fifteen (15) Compelling Monologues Dealing with Bullying Most of these monologues can be played by male or female actors, and they range from approximately 1-3 minutes long. Whether it is covering your ears in the shower, imagining you’re a shark, or instructing teddy bears to jump out a window, these dramatic, comedic or darkly comedic monologues show different ways people cope with the effects of bullying. Below are fifteen (15) monologues that center around the idea of bullying in some capacity. Part of the beauty and magic of theater is that we can use drama to give voice to an emotion, challenge or experience we might not otherwise express.
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